The motive of action is either without or within the actor.
A motive without draws him as if tugging at his reactions,
as a flame to a moth. The actor neither wills it nor
understands it, but is compelled to act by the
tensions unresolved in his subconscious.
An actor thus motivated acts not truly on his behalf - his
will is weaker than his tensions. And if he reaches his goal,
past a temporary relief and satisfaction of his tensions,
the actor is no freer than he was before. Only understanding
the dynamic that brought him to react and be compelled, and
by accepting this subconscious trigger as part of his being,
can be bring light to this forgotten part of him, and
bring it resolution and free flow. Once he understands
it clearly, the tension can no longer impose on his will.
A motive within is an engine that powers the deeds of the doer,
fueled by clear understanding.
His deeds are powered by the aspiration to move closer to a
perceived idea - not for the sake of accomplishment, but as a
natural outgrowth of his expression.
An action thus motivated indeed finds goals to achieve and
may reach them, but they are not an end. They are rather
milestones that the actor sets upon his way to guide him.
They are secondary to the driving motivation, and as such,
they are reached, unreached, or changed according to the
circumstances, without undue satisfaction, disappointment,
or frustration. And when they do manifest,
they are eventually overridden by the inner drive produced
by the motive from within.
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